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・ William H. Murray (Medal of Honor)
・ William H. Murtha
・ William H. Mylrea
・ William H. Natcher Bridge
・ William H. Natcher Federal Building and United States Courthouse
・ William H. Natcher Parkway
・ William H. Nation
・ William H. Neece
・ William H. Nelson
・ William H. Nicholas
・ William H. Nichols
・ William H. Nicklas
・ William H. Noble
・ William H. O'Brien
・ William H. O'Dell
William H. Oakes
・ William H. Oldendorf
・ William H. Orrick III
・ William H. Osborn
・ William H. Osborne
・ William H. Overholt
・ William H. P. Blandy
・ William H. P. Denny
・ William H. Parker (police officer)
・ William H. Parker (politician)
・ William H. Pauley III
・ William H. Payne
・ William H. Peck
・ William H. Peeps
・ William H. Peirce


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William H. Oakes : ウィキペディア英語版
William H. Oakes

W. H. Oakes (died 1890) was a music publisher in 19th-century Boston, Massachusetts. He published compositions by Daniel Auber, Henry Russell and others.
== History ==
Although details of his life remain scarce, ample evidence exists to show that William Oakes engraved and published many works of music throughout the 1840s. He usually employed outside printers, and distributed his publications through other vendors. Oakes seems to have borne responsibility for selecting the musical work, securing copyright permissions, hiring artists to create cover images, and arranging other logistics. Oakes himself engraved the musical notations.
In 1840 Oakes and Samuel Swan formed a publishing company, Oakes & Swan. The short-lived firm published musical works such as ''The Lament of the Irish Emigrant'' by William R. Dempster, and ''The Land of the Blest'' by J.P. Knight.〔(The Musical Magazine ), Volume 2, 1840; p.195+〕〔David Tatham. Lithographs of Benjamin Champney. Old-time New England, summer 1976; p.4.〕 Swan left the partnership by January, 1841.〔Frank McCormick. (George P. Reed v. Samuel Carusi ): a 19th century jury trial pursuant to the 1831 copyright act. 2005. Accessed August 2009.〕
For several years Oakes maintained an office on Tremont Street.〔The Universalist and ladies' repository, Volume 9, 1841; p.160.〕 Oakes served in 1841 as a trustee of the Music Institute.〔The Musical Magazine, Volume 2, 1840; p.192.〕 In 1844, the Massachusetts Charitable Mechanic Association selected three examples of Oakes' music engravings to exhibit at Quincy Hall.〔4th exhibition of the Massachusetts Charitable Mechanic Association at Quincy Hall, in Boston. Boston: Crocker and Brewster, 1844; p.207.〕

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